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Public Statues and Sculpture Association

Dr Kira d’Alburquerque

Kira d’Alburquerque is Curator of Sculpture at the Victoria and Albert Museum. She is a well-published scholar of baroque Italian sculpture and drawing and received her PhD on court sculptor to the Medici Giovanni Battista Foggini in 2015 from the Ecole Pratique des Hautes Etudes, Paris. Her dissertation is currently being published. Previously, Kira d’Alburquerque was a Research Fellow at the Fondazione Longhi in Florence, a Graduate Intern at the Getty Museum, worked at the Louvre, and with the Friends of the Bargello charity.

Clare Lilley

Clare Lilley is Director of Programme at Yorkshire Sculpture Park, in 2014 named the UK Art Fund Museum of the Year. Clare graduated with a degree in the History of Art from Manchester University. She has a particular expertise in developing and siting sculpture in the public realm and her curated and published work with artists includes Ai Weiwei, Fiona Banner, Lucio Fontana, Damien Hirst, Amar Kanwar, KAWS, Kimsooja, Alfredo Jaar, Shirin Neshat, Giuseppe Penone, Sean Scully, Yinka Shonibare CBE, David Smith, James Turrell, Joana Vasconcelos and Bill Viola. Since 2012 Clare 
has curated Frieze Sculpture in London’s Regent’s Park and she has curated for Chatsworth House, Derbyshire and at San Giorgio Maggiore for the Venice Biennale. She contributes to publications, conferences, panel discussions and art prizes worldwide. Clare sits on the Advisory Committee of the Government Art Collection and the boards of Art UK, London and the George Rickey Foundation, New York. She has been intimately involved with a number of YSP’s buildings across its 500 acres, including the Weston by Feilden Fowles, which in 2019 was shortlisted for the Stirling Prize.

Jean-François Manicom

Curator of Transatlantic Slavery and Legacies, International Slavery Museum, Liverpool.

Dr Heather Sebire FSA MCIFA

Senior Property Curator for Stonehenge, Curatorial Team, English Heritage.

Helen Smailes

Helen Smailes has been Senior Curator of British Art, Scottish National Gallery since 1993, responsible for Scottish painting from the seventeenth to the nineteenth century, eighteenth- and nineteenth-century English painting, eighteenth- and nineteenth-century British sculpture, and historic American painting. She was a Member of the national executive, Association of Art Historians 1994-7; Honorary Fellow, School of Arts, Culture and Environment, Edinburgh University, 2005-2014; advisory member of Edinburgh College of Art/Edinburgh University Collections Committee for the ECA centenary project on plaster casts. From 2015, she has been advisory associate of Glasgow University's AHRC-funded project on Allan Ramsay Senior. Her research specialisms include nineteenth-century British/Scottish figure and portrait sculpture, especially Thomas Campbell and William Brodie; early art education and plaster casts, and Italian-Scottish image-makers (figuristi).