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Public Statues and Sculpture Association

Ray McKenzie (Chair PSSA Marsh Awards)

Ray worked for more than thirty years at Glasgow School of Art, first as a Senior Lecturer in Art History, later as a part-time Research Fellow and Honorary Professor. Relevant publications include Dangerous Ground: Sculpture in the City (1999, co-edited with Andrew Guest), The Flower and the Green Leaf: Glasgow School of Art in the time of Charles Rennie Mackintosh (2009), and three volumes in the Public Sculpture of Britain series: Glasgow (2002) and Edinburgh (vol. 1 The Old Town and South Edinburgh; vol. 2 The New Town, Leith and Outer Suburbs, 2018).

Valerie Ferguson (PSSA Marsh Awards Administrator)

Valerie is a theatre producer working on a wide range of productions from one-woman shows to large scale musicals and pantos. She has had a life-long interest in all aspects of the arts and is also a guide and new recruit mentor at Chelsea Physic Garden. Previously to her work in the theatre Valerie ran her own PR consultancy in London then became an editor in a large publishing company, focusing on cookery and gardening books. She has had considerable administrative experience running her own businesses and as Chair of the Friends of the Museum of East Asian Art and five years on the Friends’ Committee of the Holburne Museum in Bath.

Joanna Barnes

PSSA Co-Chair, see Trustees.

Guy Braithwaite

After completing a history degree and a training course at Sotheby’s, Guy began his career in the auction industry in London. He then moved into buildings conservation and has worked in this field for over 25 years, in roles at English Heritage, Historic England and the Heritage Lottery Fund. He now works as a Church Buildings Officer for the Church Buildings Council, the national advisory body for Church of England churches and their furnishings and churchyards. He advises on all aspects of the heritage of historic churches, including architectural sculpture, monuments and memorials from the Anglo-Saxon period to the present day. Guy has been a member of the Marsh Awards Judging Panel since 2012, with a particular focus on the conservation award. This role has taken him all over the country to see a wonderful range of new sculpture and fountains and conservation projects on historic works.

Rebecca Farley

Rebecca Farley is a Senior Research Associate in the School of Arts and Cultures at Newcastle University, where her research interests focus on the intersections between public art, contemporary art, and heritage practice. Before joining academia, Rebecca worked as a freelance public art consultant with Grit&Pearl and Inspire Northumberland, and as Commissions Officer at Arts Council England North East. Previously she also worked as an artists’ professional development advisor and editor with AN The Artists Information Company. Rebecca joined the Marsh Awards panel in 2023.  

Matthew Jarron

Matthew Jarron is Curator of the University of Dundee Museum Collections, which include a significant collection of over 8,000 works of art and design. He is also co-ordinator of the Public Art Dundee project to research and promote the city’s pioneering history of public art. Matthew has a particular interest in the history of art and science in Dundee and is the author and/or editor of several publications including Independent & Individualist: Art in Dundee 1867-1924 (2015), Growing and Forming: Essays on D’Arcy Thompson (2017) and Creatures of Fancy: Mary Shelley in Dundee (2019). He is a former Chair of the Scottish Society for Art History and helps to organise the Society’s annual conferences and other events.

Tabish Khan

Tabish Khan is an art critic specialising in London's art scene, covering contemporary and historical exhibitions. He visits and writes about hundreds of exhibitions a year covering everything from the major blockbusters to the emerging art scene. He is passionate about making art accessible to everyone. Tabish has been visual arts editor for Londonist since 2013. Contributions include reviews, previews, news, experiences and opinion pieces. He is also a regular contributor for FAD with a weekly top exhibitions to see in London and a column called 'What's wrong with art'. Tabish is a trustee of ArtCan, a non-profit arts organisation that supports artists through profile raising activities and exhibitions

Annie McCarthy

Annie joined the Marsh Charitable Trust (MCT) in September 2015, after graduating from the University of Southampton with a BA (Hons) English and History. Annie became Trust Manager at the MCT in 2019, having previously been responsible for the Trust's grant-making scheme. She now oversees the running of the Awards Scheme, working with partners to develop and run Award programmes, including the Awards with the Public Statues and Sculpture Association. Annie works on the MCT's communications and publications, makes a number of visits to grantee organisations, attends meetings with Award partners to ensure the programme is running smoothly, sits on judging panels and attends Award presentations.

Tony Mott

Tony Mott studied at Goldsmiths and the Slade Schools of Art. He continues to work as a sculptor and lecturer in fine art and has received Arts Council and Sainsbury Awards. He has a continuing involvement in the history of designed landscapes and has contributed a number of articles and photographs to publications including The History of Garden Design (eds. Mosser, Teyssot, 1991). Several of his research trips to Italy have been supported by Italian Government Awards. His particular involvement in Italian gardens has led to him being a specialist guide on garden tours in Italy and he contributed to an international conference held in Rome - Le Fonte Monumentali – papers were published in 2010. Tony was a trustee of the Public Monuments and Sculpture Association and prior to that was a trustee of the Fountain Society. He has been a member of the panel of the Marsh Awards for a number of years.

Mark Richards FRSS – 2024 Guest Judge

'I was 16 when I first set foot in a sculpture studio – I remember being entranced by the textures, the objects, the tools, the light... those sensations have never left me.' Mark studied History of Art at The University of Manchester, most notably under Deborah Cherry and Jonathan Alexander, and Sculpture at the City & Guilds of London Art School where he was taught and deeply influenced by sculptor Arthur J. J. Ayres. In 1985 Mark established his studio in London and moved it to just outside Ludlow in 2006. His significant commissions include statues in Ireland of Antarctic explorer Ernest Shackleton, located near his birthplace in South Kildare and humanitarian Roger Casement at Dún Laoghaire Baths; a definitive memorial to cartographer Captain Matthew Flinders installed at Euston Station, London; a monument to The Gordon Highlanders in Aberdeen and most recently the Vernon Monument, a three-metre-high sculpture of two divers working on a mine at Gunwharf Quays in Portsmouth. Mark Richards was described by sculptor Johannes von Stumm, past President of the Royal Society of Sculptors, as 'one of the finest figure and portrait sculptors in Great Britain’.