The Marsh Awards acknowledge and commend excellence, increase awareness and discussion of public sculpture and fountains and celebrate new work that demonstrates originality, aesthetic quality and sensitivity to site. The Conservation Award commends craft and professional skill.
Phyllida Barlow quarry, 2018, Jupiter Artland, Bonnington House The Steadings, Wilkieson, Edinburgh.
Briony Marshall Layers of Bournemouth, 2018, Hengitsbury Head, Southbourne, Bournemouth.
Thomas J. Price Reaching Out, 2020, Three Mills Green, Stratford, London – part of The Line public art walk.
Hazel Reeves ‘Our Emmeline’ Rise Up Women, 2018, St Peter’s Square, Manchester.
Mark Richards The Vernon Mine Warfare and Diving Monument, 2020, Gunwharf Quays, Portsmouth, Hampshire.
Rachel Whiteread Nissen Hut, 2018, Dalby Forest, Lower Dalby, Thornton-le-Dale, North Yorkshire.
Joana Vasconcelos Gateway, 2019, Jupiter Artland, Bonnington House, The Steadings, Wilkieston, Edinburgh.
Mark Wallinger in collaboration with Studio Octopi Writ in Water, 2018, Runnymede, Surrey.
Alison Wilding Herm, 2018, Rathbone Square, London.
The Fountain Workshop Fountains and Water Features, 2018-19, Aga Khan Centre, Kings Cross, London.
Cliveden Conservation The Druid, 2019, Priory Park, Chichester, Sussex.
London Stone Conservation Statue of Sarah Siddons, 2019, Paddington Green, London.
Plowden & Smith Silverdale Mining Monument, 2020, Silverdale, Newcastle Under Lyme, Staffordshire.
Winners will be announced at an online ceremony on Thursday 9th December
The Awards are decided on by a Judging Panel made up of individuals (practitioners, academics, conservators, art critics and sculpture specialists) knowledgeable in the fields of public sculpture, fountains and conservation. Its decisions are final.
Any work of public sculpture, any fountain and any conservation project on a work of public sculpture or a fountain may be nominated for an award. Artists or conservators may enter their own work. Entries and Nominations must be received by noon on 16 April 2021. Late entries may exceptionally be accepted at the discretion of the Judging Panel.
The Judging Panel will consider each work put forward to assess whether it meets all of the eligibility criteria relevant to its category. If it does, the Panel will consider the relative merits of each against the judging criteria.
In assessing the works entered or nominated, the Judging Panel will rely on information provided to support the submission, other information available in the public domain and observations from site visits made by members of the Panel.
Entries and nominations must be made by or for the artist or designer, in the case of new works of public sculpture or fountains or, in the case of conservation, the conservator. In cases where the artistic concept or design was the product of collaboration between artists/designers, or where the client or craftsmen were involved, then the award may be shared. Similarly, the Conservation Award may be shared if it involved a multidisciplinary approach.
The nominated artists, designers or conservators must be aged 18 or over on the day the submission is made.
The entry or nominated work
In cases of doubt and for guidance, the Judging Panel shall have reference to the definitions of sculpture and fountains or water features above.
The PSSA’s Marsh Awards reward artistic achievement and skill. They celebrate diversity in the world of sculpture, are inclusive and do not discriminate on the grounds of ethnicity, colour, background, gender identity, sexual orientation, religion, disability or age. The Judging Panel will ensure equality when making their assessments.
The entry or nominated project:
The entry or nominated work must demonstrate excellence against the following criteria:
For a new sculpture or fountain, the artistic intent or design should express:
- originality, especially (in the fountains category) in the use of water;
- convincing selection and command of materials;
- convincing understanding and presentation of scale;
- successful integration with and response to the setting, especially where the relationship of the work to its setting is an essential element of its concept and where the work has such an effect on its surroundings that its removal would permanently diminish that place;
- an idea or effect capable of sustaining enduring interest.
- ideas which inform or challenge our understanding and/or experience of the physical world.
For a conservation project, the philosophy or approach should be exemplary (with reference to the Conservation Eligibility Criteria ).
The work as carried out should:
- be of a high standard of workmanship/craftsmanship;
- use appropriate quality materials;
- be suitably durable and and capable of being maintained.
- Fountains and water features, where necessary, should have a planned maintenance programme.
Impact on the discipline
Taken together, the concept and realisation should make a genuine and outstanding contribution to the:
- discipline and language of sculpture or fountain design at national level; or
- discipline of conservation, at national level, whether in the sense of practice or understanding or both.
Reception and engagement
The work or its conservation should enhance or have the potential to enhance public and community appreciation of sculpture, fountain design or conservation through creating awareness, interest, enjoyment and a positive visual impact. In the case of conservation projects, this might find expression in the original work once again having its intended aesthetic value and effect. Where the original work concerns contested heritage or a problematic subject, the project should address these issues in a thoughtful and considered way which reflects current understanding and opinion. Innovative or exemplary approaches will be taken into account. For further guidance please refer to the Marsh Awards Contested Heritage Statement below.
The work or its conservation should achieve one or more of the following:
- enhance or positively transform its physical environment;
- enhance or positively transform its social context;
- have a regenerative or positive transformative effect by being a focus, landmark or an attraction in its own right.
The Marsh Awards Judging Panel is acutely sensitive to issues raised by contested heritage and is keen that solutions are found which address those issues appropriately and respectfully. We appreciate that a number of works of public sculpture may signify injustice and human misery and can prompt extremely painful responses. Custodians and owners of public sculpture have the opportunity to attempt to mitigate the distress felt about historic injustices and the way the past is portrayed. The Conservation Award for Public Sculpture and Fountains recognizes the need for works to be re-evaluated and re-presented intelligently. Works which the judges deem to be in the category of contested heritage will only be considered for the conservation award if they address these issues in a thoughtful and considered way which reflects current understanding and opinion. Innovative or exemplary approaches will be taken into account in the judging process.